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Cultural Attractions of Australia is offering the opportunity to experience depth of history and creative brilliance of our First Nations culture with the following curated experiences. Several of its members are also presenting exhibitions showcasing stunning displays of their art on the world stage.

In Melbourne, The National Gallery of Victoria’s ‘First Nations Art from the NGV Collection: Gallery and Conservation’ is an exclusive opportunity that invites visitors to explore First Nations art and gain unique insights into the masterful art of conservation, guided by world-leading specialists. The experience begins with a bespoke tour of First Nations art and design inside the Wurrdha Marra exhibition at the Ian Potter Centre, led by an NGV Curator of First Nations Art. Tailored tours can cover the NGV’s International collection for highlights from Europe, Asia, America and Oceania, as a further option. The journey continues with privileged access to the NGV Conservation department, typically closed to the public, where guests learn first hand how experts in fashion, textiles, print, painting and First Nations Art, preserve and restore some of Australia’s most significant art. For an elevated experience you can choose an out-of-hours tour to enjoy the NGV in an intimate and private setting. From 2 to 10 guests.

Close by to the charming regional Victorian city of Ballarat, you can join a Cultural Attractions experience in the former gold rush town of Sovereign Hill, ‘Connections to Country Indigenous Insights.’ A curator or storyteller will guide you at the Australian Centre for Goldrush Collections as you view Indigenous Australian artworks. This includes a workshop to learn the art of weaving at the Rare Trade Centre, tour of the Wadawurrung Cultural precinct, and a lunch with native ingredients. Available for 2 to 10 guests.

In Brisbane, A ‘Private QAGOMA Tour‘ with an expert guide at Queensland Art Gallery | Gallery of Modern Art, QAGOMA allows you to learn more about its impressive artworks including its exceptional Indigenous Australian collection. The ‘First Artists: Early Evening Indigenous Experience‘ is a more in-depth experience co-curated by Blaklash Creative encompassing a native botanical cocktail and canapés on arrival, a moving Welcome to Country and a Didgeroo performance and following a tour of the latest Indigenous Australian Art collection. You are then treated to a two-course dinner featuring native Australian ingredients. Both are well-suited to small groups from 4 to 15 and 16 guests, respectively.

One of Australia’s leading performing arts companies Sydney’s Bangarra Dance Company delights in sharing Aboriginal and Torres Strait Island stories here and further afield. Established in 1989, it has produced thirty years of narratives reflecting 65,000 years of Indigenous Australian culture in breathtaking contemporary movement. Cultural Attractions offers a compelling ‘Behind-the-Scenes at Bangarra Dance Theatre’ signature experience encompassing a beautiful and personal Acknowledgment of Country, Indigenous cocktails and canapés and a talk by Artistic Director Frances Rings or one of the lead dancers on the company and a backstage tour. Guests also have the chance to view the dances in the rehearsal room Walsh Bay Studio, or in a finished performance at Sydney Opera House – June/July. Available for 2 to 10 guests.

Cultural Attractions of Australia members also have exhibitions and collection highlights of the First Nations artists they feature being shown at leading galleries internationally. Be sure to take these in on your travels.

The National Gallery of Australia has partnered with London’s Tate Modern and is featuring a spectacular exhibition by Anmatyerr artist Emily Kam Kngwarray. This is bringing global attention to this artist whose work embodies the cultural, spiritual, and environmental connections of the Anmatyerr people of the Utopia region of the Northern Territory. The exhibition showing  until 11 January 2026 was five years in the making and was curated by Kelli Cole, Warumungu and Luritja peoples, with Kimberley Moulton, Yorta Yorta peoples, and additional members of Tate Modern’s curatorial team. “Emily Kam Kngwarray is one of the most significant artists of the 20th century,” said Dr Nick Mitzevich, Director of the National Gallery. Her work transcends conventional historical art narratives and speaks to the enduring presence of First Nations culture on this continent.”

Also highly anticipated, the National Gallery of Victoria (NGV) will première The Stars We Do Not See, the largest-ever international exhibition of Aboriginal and Torres Strait Islander Art, from 18 October 2025 at the National Gallery of Art, Washington DC and following tour museums in the US and Canada for the next two years through to January 2028. Highlighting masterpieces from the NGV Collection and curated by the gallery’s team, this features over 200 works by more than 130 artists, many of which have never before been shown internationally. This reveals the rich history and cultures of Indigenous Australians, the oldest continuous living culture in the world. Once more it will be sharing the work and stories of important First Nations artists. “Many of the works travelling are globally recognised as undisputed masterpieces – with many visitors travelling to the NGV to see these iconic examples of Indigenous Australian art. Never before has a volume of works of this size and national significance toured internationally,” said Tony Ellwood AM, Director of the NGV.

A further exhibition to look forward to, Queensland Art Gallery | Gallery of Modern Art, QAGOMA, is partnering with the Victoria and Albert Museum, (V&A) London, on a major exhibition of art and design from ’The Asia Pacific Triennial of Contemporary Art’ (APT), and the Gallery’s own unique collection of Australian, Asian and Pacific art. This co-curated exhibition will be presented at the V&A South Kensington early in 2026. “I am thrilled to be working with V&A Director, Tristram Hunt and the museum’s internationally renowned exhibitions team to bring the Gallery’s unique collection of contemporary Australian, Asian and Pacific art to the world,” said Chris Saines, QAGOMA Director.

Annabel Sullivan, Executive Officer, Cultural Attractions of Australia highlights, “These exciting exhibitions by our members reflect the essence of our collective – to share the stories that have shaped Australia. Each of our members expresses vital moments of our national story, and we invite guests to enjoy these exhibitions whilst travelling, and importantly to visit our renowned attractions to learn more about these stories first-hand.”

Cultural Attractions of Australia (CAOA) is a collective that unite Australia’s landmark attractions, celebrating the country’s diverse artistic, cultural, historical and sporting influences through over 40 exclusive experiences.

For more information, visit https://culturalattractionsofaustralia.com

Emily Kame Kngwarrey’s crowning achievements, ‘The Alhalker suite’ embodies the desert country of her birth.

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DATA PROTECTION AND PRIVACY POLICY


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We recognise that your privacy is important to you and we value the privacy of every individual and are committed to the protection of personal data. Our privacy policy complies with applicable privacy laws in processing personal data including the Privacy Act 1988 (Cth) and the General Data Protection Regulation ("GDPR") (which gives certain rights to individuals who are based in the European Union ("EU") during their interactions with us). Our policy sets out how we collect, use, disclose and otherwise manage personal information about you. We invite you to check our website regularly for any updates to this privacy policy.
General Privacy Statement
You may visit the Cultural Attractions of Australia website without telling us who you are or revealing any personal information about yourself. However Cultural Attractions of Australia does give you the opportunity to provide to us some of your personal contact information in order to interact with you and with our member attractions. This information includes your name, email address and country of residence and state or territory, if you are from Australia. We will only use this information for the purposes described in this policy statement.
Types of information collected
We may collect and hold personal information about you, that is, information that can identify you, such as your name, address, contact details and other information relevant to providing you with the services you are seeking.
Purposes of collection of data
We will collect and use your personal information generally for one or more of the following reasons: We will only process personal data that is necessary to carry out our services as determined by the nature of your interaction with us.
Methods of collection
Personal information will generally be collected directly from you through the use of our standard forms, or over the internet, or through interaction with our social media channels, or via email or through telephone conversations or meetings with you. There may, however, be some instances where personal information about you will be collected indirectly because it is impractical to collect personal information directly from you. We may obtain personal information about you from our members or other affiliated organisations, where the transfer of your information to us is appropriate and lawful, and in keeping with this privacy policy.
Failure to provide information
You acknowledge that if the personal information you provide to us is incomplete or inaccurate, we may be unable to provide you with the services you or they are seeking.
Internet users
If you access our website, we may collect information about your interaction via our website in the form of your IP (internet protocol) address and domain name. Also, our website may from time to time use cookies. The main purpose of cookies is to identify users and to prepare customised web pages for them. Cookies do not contain personal information per se, but they may link back to a database record about you. We may use cookies to monitor usage of our website and to create a record of when you visit our website and what pages you view so that we may serve you more effectively. We have carefully chosen these cookies and have taken steps to ensure that your privacy and personal data is protected and respected at all times. In addition to the controls that we provide, you can choose to enable or disable cookies in your internet browser. No attempt will be made to identify users or their browsing activities unless we are compelled to do so by law. The data and log files may be preserved indefinitely and used at any time and in any way necessary to prevent security breaches and to ensure the integrity of the information supplied by Cultural Attractions of Australia. Your personal information will not be released unless the law permits or requires it or your permission is granted.
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We keep your personal information for as long as is reasonably necessary for the purposes for which it has been collected. In any communication we send you, there will be the option for you to unsubscribe. We will actively review the personal data we hold and delete it securely, or in some cases anonymise it, when there is no longer a legal, business or consumer need for it to be retained.
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We store your personal information in different ways, including on paper and in electronic form. We take commercially acceptable measures and comply with all applicable privacy laws to ensure that your personal information is stored safely to protect it from misuse, loss, unauthorised access, modification or disclosure. These may include both electronic and physical security measures.
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You may be entitled to access the personal information we hold about you, or request for this information to be deleted, upon written request. We will endeavour to provide you with access to the personal information requested within 30 days. We may charge you a reasonable fee for processing your request. We may decline a request for access to personal information where privacy laws require us to do so. If, upon receiving access to your personal information, or at any other time, you believe the personal information we hold about you is inaccurate, incomplete or out of date, you should notify us immediately. We will take reasonable steps to correct the information so that it is accurate, complete and up to date.
Data Protection Officer
Our Data Protection Officer is responsible for all matters concerning the proper management and legal compliance of data protection and privacy matters. The Data Protection Officer:
Reporting data and privacy incidents
If you become aware of a data or privacy incident, including an actual or suspected data breach, you should immediately report this incident via the Contact Us page on our website. A data or privacy incident means an actual or suspected data breach as defined under applicable privacy laws including:
Complaints relating to how we handle your personal data
If you are concerned that your personal data has not been handled in accordance with our data protection and privacy policy, you may lodge a written complaint to our Data Protection Officer and your complaint will be appropriately investigated and a response provided to you as soon as practicable. If you are unhappy with the way that we are using your personal data, or if you are not satisfied with our response to a complaint, you may lodge a complaint with the Office of the Australian Information Commissioner (to the extent that the Privacy Act 1988 (Cth) applies) or, if the GDPR applies, with the Data Protection Authority.
Feedback
If you have any queries about our privacy policy or the way in which we handle your personal information, please contact us: Data Protection Officer Cultural Attractions of Australia PO Box 5548 West End QLD 4101
More information
For more information about privacy in general, including advice regarding making a complaint or notifying of a data breach, you can visit the office of the Australian Information Commissioner at www.oaic.gov.au This privacy policy may change from time to time. The policy was last updated in March 2019
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